Petition to the Rock & Roll Hall of Fame

Attachment 5 - The Ventures: A History in Music

A Guide to the Demo Audio Cassette

This Attachment briefly describes the selection of songs by The Ventures included on the enclosed single-copy audio cassette, which I compiled to familiarize the members of the Rock and Roll Hall of Fame Foundation with the musical heritage of The Ventures. I believe that the songs I have selected give a concise (2-hour) overview of The Ventures' almost 40-year career as the all-time most important and influential instrumental rock and roll band in the world.

Side A

  • The '60s - The Hit Years: In 1960, The Ventures recorded "Walk, Don't Run," which soon became their first hit single and the trademark song by which they are best known. It established forever the format, the style, and the sound that would define The Ventures -- driving guitars with an strong underlying drum beat. Other hit singles followed throughout the decade of the 1960s, including "Perfidia," "Lullaby of the Leaves," "Slaughter on 10th Avenue," "Diamond Head," "Walk, Don't Run '64," and "Hawaii Five-0." All 14 of The Ventures' top hit singles are included on Side A of the demonstration cassette. However, The Ventures' real success was in the album charts, where they placed a remarkable 37 albums during the period 1960 to 1972. In fact, they rank 6th among all 1960s recording artists on the album charts, behind the likes of The Beatles, Frank Sinatra, Elvis Presley, Ray Conniff, and Ray Charles.

  • The '70s - Versatility Unleashed: By the mid-1960s, The Ventures had already made several concert tours to Japan and were beginning to grow in popularity in that country. At that time, they started to compose songs and record albums specifically for the Japanese market. Some of their Japanese "pop" compositions like "Kyoto Doll" and "Reflections in a Palace Lake" became #1 hits in Japan and eventually led to The Ventures being ranked among the top 10 composers in Japan (the first non-Japanese ever to achieve that distinction). During the late-1960s and the 1970s, The Ventures also began to expand their musical versatility by recording albums for the U.S. market that featured different genres of rock music and even non-rock music. Among these were hard rock songs like "Underground Fire" (an original Ventures composition) and "Light My Fire," classical compositions like "Bach's Prelude," R&B-inspired early rock classics like "Honky Tonk" and "Guitar Boogie Shuffle," Latin classics like "Andalucia," the Rolling Stones' hit "Paint It Black," and folk-rock songs like Jim Croce's "Time in a Bottle."

Side B

  • The '80s - Decade of Transition: By the late-1970s, the "rock" music scene in the U.S. was starting to turn to "disco." The Ventures tried to follow that trend, with "disco" versions of well-known songs like Glenn Miller's "Moonlight Serenade" and the theme from the popular film "Close Encounters of the Third Kind." But, the popular music scene in the U.S. was moving away from the guitar-laden musical style of The Ventures, and their popularity in the U.S. slowly declined as the country embraced the repetitive "dance all night" beat of "disco." Therefore, for The Ventures, the 1980s was a period of transition, as they experimented with forming their own Tridex recording label, recording several well-known songs like "Runaway" and the theme from the film "Goldfinger" in a ska/reggae style, and eventually settling in to a mellow rock style with songs like "Comin' Home" and "Showdown at Newport."

  • The '90s - Wild Again: Through the early-1990s, The Ventures continued to record many albums strictly for the Japanese market. Those albums contained mainly soft ballads, including "Kimi Ga Irudakede," "The Sun Also Rises," and "Kiss Me." Then in 1996, The Ventures returned full force to their "rock and roll" roots with the album "Wild Again," which featured the driving guitars and pounding drums that are their trademark sound. "Wild Again," which was originally released only in Japan and enjoyed a 1997 U.S. release by GNP Crescendo records, features such heart-pounding tracks as "Baja," "Wham," and an unbelievable Venturized version of "Beethoven's Fifth Symphony." The "Wild Again" album received widespread critical acclaim and was followed up with "Wild Again II" (which is also scheduled for a U.S. release by GNP Crescendo Records later in 1998). This album features strong surf-inspired songs like "Hurricane," "Blue Dawn," and "Spanish Armada." The final track on the demo tape is "Surf on Guitar," a medley of some of The Ventures' most popular hits.

After listening to this demo tape, I think that even the most jaded member of the Rock and Roll Hall of Fame Foundation would have to agree that, like fine wine, The Ventures seem to just get better and better with age and are ready to "Walk, Don't Run" into the Rock and Roll Hall of Fame!

Source: Based on an audio cassette compiled by Arnold van Beverhoudt, Jr. as a single-copy demo tape for the sole purpose of supporting the petition for the induction of The Ventures into the Rock and Roll Hall of Fame. No duplication or distribution of this tape is permitted without the express permission of The Ventures.

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Copyright © 1996-2008 Arnold E. van Beverhoudt, Jr.
Email comments or suggestions to: arnoldvb@islands.vi.
Last Updated: January 1, 2003